Experimental Media| Research and Planning
' Self-Inflicted Achromatic'
自傷無色 (Jishou Mushoku)
Research and Planning
‘Self-Inflicted Achromatic’, meaning self-inflicted
colorlessness, is a song originally by Hatsune Miku, and covered by MafuMafu. I
hold these two singers very close to me as a lot of my inspiration and taste in
forming particular concepts is a result of constantly listening and
interpreting their wonderful music and extremely chimeric and contextual videos.
Hatsune Miku (Japanese: 初音ミク), also called Miku Hatsune, and officially
code-named CV01, is a Vocaloid software voice bank , a 16-year-old girl with
long, turquoise twin tails. Miku's personification has been marketed as a
virtual idol and has performed at live virtual concerts onstage as an animated
projection. I’ve always been a huge admirer of her music and creative
production, as animation and digital illustration is something that inspires me
a lot and almost all her music consists of songs and melodies that are based on
the most extravagant concepts and enthralling animated music videos. I
personally find a lot of her production in an ‘experimental’ category, so I have
always wanted to create and imaginative and experimental film based on one of
her songs.
The main song I chose for my experimental film, however, is
not the original one, but the version covered by MafuMafu. Mafumafu is a
Japanese utaite singer and songwriter. In addition to his solo work, he is a
vocalist, lyricist and composer in the music duo After the Rain. I personally
like his version of this song more, as his voice goes along really well with
the theme and concept of the entire song.
Coming towards the actual ‘meaning’ that I put behind this
project, it is actually something that I have personally experienced as felt a
part of, so a huge part of me, as a person, wholeheartedly relates to this
concept. This is the story of a person who is continuously trying to be someone
they are not. I wanted to show the story
of someone, who wishes that the world wanted them gone just to justify them wanting
to disappear. This person is someone who feels themselves be a ‘ burden’ and ‘
useless’ for this world, and is constantly finding a way to justify what good
reason it is for them to be in such a state. This character feels terribly
anxious, and because of his constant thinking of himself as an outcast and
burden, he starts being highly introverted and keeps wishing that he could be
like others he sees around him. Other people who have an easy time talking,
sharing, communicating and loving, and this hurts the character because he
knows that even if he tries to imitate them, would it actually be him? He would
just become another version of all these people around him. All this thinking drags
this character in a continuous dilemma of the meaning of his presence in a
place and amidst people who would not even care if he is gone. “Just by living,
I’m hurting them another day” is one of the lines from the song He wishes, and
wishes, for a happy ending but he knows that it’s not possible for a person ‘like
him’. The song basically keeps repeating the same thing over and over again,
and along with these words, the character also carries on following his path of
depression and not even bothering a bit to get out of it.
The last chorus of this song is actually my favorite part of
it, and is also the reason why I chose to animate my project based on it. As
the theme of our experimental film is “ Optimism”, anyone can tell by the first
half of this song and concept that it lies nowhere around the lines of
optimism, rather it is a quite dark concept being portrayed by a person going
through a cycle of depression. What is interesting about this is the last part
of this song. The last few verses of the song have a very different meaning
compared to the rest of it, giving a beautiful ray of hope to the darkness
being showed by the character throughout. Basically, the last few verses go like:
“Just because I'm
alive
Why do you smile so
much?
If you smile like
that
No matter how sad,
how much I want to disappear—
If only all my
reasons to say good-bye went away.
Even if I were wiped
away
That wouldn't change
some hundred million people.
But there's something
preventing me
And showing me that
face, I can't bear to laugh about it”
These verses at the end compelled me to pick this song regardless of the dark themes shown in it previously. It is basically says that, even though the character is a mess of his own, drowning in thoughts of wanting to disappear and wanting to change into someone other than him, when he looks back, there is that one person in his life who is preventing, and caring for him, and trying to stop them from losing into such thoughts. This is also where the “optimism” aspect of the concept comes in. As this character spends a lot of time thinking he is useless, an utter burden and shame, there is always this one person, someone who smiles at him and loves him and cares for him. As the character sees this person, he is reminded that, even though his disappearance from this world wouldn’t really affect many people, but the smile and face of this person is the only thing that keeps and prevents him from falling into despair. The character laughs at the irony that even though those going away would not affect hundreds and millions of people, just one person is enough to prevent them from disappearing.
I wanted to add the concepts of cubism, surrealism and symbolism in my experimental film, and I decided to add these not conceptually through art, but through the ' color scheme' of the film. So I decided to make the theme of my video in a " Blue Period " manner. This is later explained in the theme part of this planning.
Click here to listen to Self-Inflicted Achromatic
Initial Sketches of the character
As previously mentioned, the basic idea of this experimental
film is to show the life of a person, who is going through a continuous cycle
of depression because he thinks he is a burden on this world, and he tries to
imitate and be like other people to fit in but ends up thinking how this would
only be another version of other people inside him, It wouldn’t truly be the
real him. All this thinking drowns him into a vastness of blaming himself and
thinking of himself as a ‘social outcast’, and all he wants is to disappear from
this world so he wouldn’t hurt himself and others around him. However, no
matter how hard he wants to vanish and go away, he finds it ironic yet
unbelievable that no matter how hard his urges are to go away and drown himself
away from the selfish world, there is one person who truly cares for him and
loves him. At the end, It doesn’t matter if the hundreds and millions of people
in this world wouldn’t notice his absence; as long as that one person smiles at
him and wishes for him to stay, he is willing. The whole experimental film is
animated by myself, all the illustrations and effects are done by me. I wanted
to show a part of myself in this video, as I myself often find myself in a
mindset quite similar to this young timid boy, so I hold this concept and video
very dear to myself. Therefore, I wanted to pour all my emotions while
experimenting with this, and the only way I can fully achieve my creative
freedom is through actually digitally illustrating the whole project myself,
with no camerawork.
Theme
Another aspect I looked forward to and enjoyed working on
with this project is the ‘Theme’. The entire theme and color scheme shown
throughout all illustrations of this film is actually based on “Blue Period” in
the first half and “Yellow” in the last half.
The Blue Period is a term used to define the works produced
by Spanish painter Pablo Picasso between 1901 and 1904 when he painted
essentially monochromatic paintings in shades of blue and blue-green, only
occasionally warmed by other colors.
Picasso's blue period is basically the desolation of social
outsiders, whether they be prisoners, beggars, circus people or poor or
despairing people in general. Not only did this theme answer to his blue mood,
but it also answered to the zeitgeist (the spirit of the time) of the artistic
and intellectual avant-garde at the beginning of the twentieth century.
I wanted to use the blue period theme in the first half of my film, to show the state of melancholia the protagonist is in. It shows his vulnerability and sadness as a result of this endless chain of disturbing thoughts. However, this theme is cancelled out by “ Yellow” theme used at the latter half of the film, which shows the presence of an important person in his life as a sign of ‘ optimism’, ‘ positivity’, ‘ love and care’. I find it extremely exciting to work on drawings based on the color scheme used by Pablo Picasso, as it not only makes me want to connect my character to the artists but also helps me understand the basic linings of avant-garde intellectualism.
Inspiration
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